Introduction
I was introduced to Joshua Allen Harris a few years ago by friend and photography enthusiast Bijan Sabet. I had admired Harris’ work on Instagram: His reductionist style of visual storytelling was something that spoke to me on a deep level.
Harris told me about a project he had been focused on: taking photos of Broadway, a street in Brooklyn. He wanted to chronicle the story of the street. He recently released his visual narrative essay in the form of three books: Tahoma, Belmont and Broadway.
As soon as they came out, I ordered the books and asked Harris to chat again, this time for pi.co. We ended up talking about his journey, the concepts behind the trilogy and the changing concept of photography, from art to language.
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